開催日時 | 2014.10.31(FRI)-11.2(SUN) |
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会場 | オーストラリア・ウーロンゴン大学 |
共催:オーストラリア・ウーロンゴン大学 京都国際マンガミュージアム 京都精華大学国際マンガ研究センター
第6回国際学術会議「マンガ・フューチャーズ‐日本内外の制度とファンへのアプローチ」は、性や暴力の表現規制問題をはじめ、マンガの流通や受容をめぐる法的制度とファンの立ち位置をテーマに開かれた。近い将来の国際的なマンガ状況がどのような諸問題に直面するか、オーストラリアと日本がおかれた現状とその違いから議論を交わす場となった。
(文責:ユースギョン2016.5.28)
会議プログラム
Friday 31 October 2014
17:00 Exhibition Opening
Protean Borders:Trans-cultural Encounters with Japanese Popular Culture
Closed event for conference delegates and invited guests
Saturday 1 November 2014
10:00 – 10:45 Keynote 1
Chair: Mark McLelland
Censoring Manga in the 21st Century
Kirsten Cather, University of Texas at Austin
11:00 – 12:00 Plenary Panel 1
Chair: Jaqueline Berndt, Kyoto Seika University
Gender and Manga Representation of Sexuality: Focusing on Female Readers in Japan
Yukari Fujimoto, Meiji University
Manga Under Siege: The Legal Framework, Arguments Against “Pornographic Manga” in Japan, and Strategies For Resistance
Takashi Yamaguchi, Link Law Office, Kito and Partners
Between Ignorance and Cant: Finding a Way to Analyze Ero-Manga
Tadahiro Saika, International Manga Research Center
Kaworu Nagayama, Manga critic, writer and editor
14:15 – 15:45 Plenary Panel 2: Legal Issues and Censorship
Chair: James Welker, Kanagawa University
The End of “Cool Japan”? Ethical, Legal, Political and Cultural Challenges for Japanese Popular Culture Researchers and Teachers
Mark McLelland, University of Wollongong
Canada Customs vs. the Borderless World: Manga, Anime and Child Pornography
Sharalyn Orbaugh, University of British Columbia
A Love That Dare Not Speak Its Name Aloud: Chinese Boys’ Love Fandom in the 2014 ‘Cleaning the Web’ Campaign
Ling Yang, Xiamen University
Yanrui Xu, Ningbo Institute of Technology, ZhejiangUniversity
16:05 – 17:05 Artist Talk
Picturing Manga’s Future in a Global World
Keiko Takemiya, Kyoto Seika University
17:05 – 17:30 Keynote 2
Chair: Vera Mackie, University of Wollongong
Manga Studies as a Field of Scholarship: Present Constraints and Future Prospects
Jaqueline Berndt, Kyoto Seika University
Sunday 2 November 2014
9:30 – 10:30 Concurrent Panels: Session 1
Session 1a: Manga and War
Chair: Kirsten Cather, University of Texas at Austin
Censoring Gen: an examination of attempts to remove Barefoot Gen from Japanese school libraries
Ronald Stewart, Prefectural University of Hiroshima
Reading manga in the discourse of popular memory: the analysis of animalization and the grotesque in war manga
Kaori Yoshida, Ritsumeikan Asia Pacific University
Session 1b: Moe Politics
Chair: Rowena Ward, University of Wollongong
“Moe” Politics : The structural friction between society and corporeality / immortality form of character
Yuzuru Nakagawa, Japan Institute of the Moving Image
Moe and the Limits of the Cute
Keith Russell, The University of Newcastle
10:45 – 12:15 Concurrent Panels: Session 2
Session 2a: Cultural Economies
Chair: Kristine Michelle (Khursten) Santos
Dojinshi and other fanworks as an upcoming growth area for transcultural cultural economies
Nele Noppe, University of Leuven
After the boom: The impact of anime-manga fan culture in Hungary on the wider geek culture and its subcultural producers
Zoltan Kacsuk, Kyoto Seika University
Negotiating religious and fan identities: yaoi and fujoshi guilt
Jessica Sugimoto, Ryukoku University
Session 2b: Representation of “Outsiders”
Chair: Thomas Baudinette, Monash University
Close Encounter: The online “amateur” manga about
international marriage My Lovely Chinese Wife by Inoue Jun’ichi’
Shige (CJ) Suzuki, Baruch College - CUNY
Ethical and Philosophical Challenges of George Akiyama: Ashura, Zeni Geba and Manga Culture in the 1970s
Kotaro Nakagaki, Daito Bunka University
Beyond Individual Authorship: New Perspectives for a Multilayered Analysis of Manga and Anime
Oliver Kuehne, Freie Universitaet Berlin
13:30 – 15:00 Concurrent Panels: Session 3
Session 3: Fannish Subversion
Chair: Rebecca Suter, University of Sydney
The power of Trunks-ation: conflation and subversion in Dragon Ball Z Abridged
Michelle Kent, Monash University
Even a Monkey Can Understand Fan Activism: Bill 156 and the Dōjin Public
Andrea Horbinski, University of California - Berkeley
The Poetics of Boy Love: Transfiguring Masculinities in Yaoi Parodies of Final Fantasy VII
Kathryn Hemmann, George Mason University
Session 4: Shōjo Manga
Chair: Vera Mackie, University of Wollongong
Little ladies: The aesthetics of shōjo manga and their incorporation into the lolita fashion style
Megan Russel, University of New South Wales
Valiant and Beautiful:Rethinking gender and aesthetics in shōjo manga
Masafumi Monden, University of Technology, Sydney
Shōjo Manga Presenting Taboos and the Future: Incest and Women
Fusami Ogi, Chikushi Jogakuen University
15:00 – 15:30 Plenary Panel 3: Whose Queer Media?
Chair: Sharalyn Orbaugh, University of British Columbia
An Examination of the Diverse Fandom of the Cross-Media Yuri Genre
James Welker, Kanagawa University
15:45 – 17:15 Plenary Panel 4: Manga culture and Japanese Studies
Chair: Sharalyn Orbaugh, University of British Columbia
Death Note, Student Crimes, and the Power of Universities in the Global Domination of Manga
Alisa Freedman, University of Oregon
Scholar girl meets manga maniac, media specialist, and cultural gatekeeper
Laura Miller, University of Missouri - St. Louis
Is There Room for Lolicon in Cool Japan
Patrick Galbraith, Duke University
『マンガにおけるオルタナティブの多面性』(国際マンガ研究 vol. 5、ジャクリーヌ・ベルント編)オンライン修正版(2015年7月26日改訂)
※以下の各論文はPDFとしてダウンロードが可能です。
1 | 欧米圏のオルタナティブ・コミックスにおける自伝的作品についての論考 |
市毛史朗 | |
2 | 米国における女性オルタナティブ・コミックスの展望――グラフィック・ノベルにおける |
自伝文学の潮流 | |
中垣恒太郎 | |
3 | 「無視」と「隠微な愉しみ」のあいだ――「エロマンガ」という領域を論じることの意義 |
永山薫 ・雑賀忠宏 | |
4 | トゲのある政治漫画――ポスト3.11の日本のカートゥーン |
ロナルド・スチュワート | |
5 | 「漫画」と「連環画」の間――張光宇の連環漫画『西遊漫記』について |
焦凡 | |
6 | 星の瞳に映るオルタナティブ――「典型的」少女マンガの再評価をめざして |
門傳昌章&ルーシー・フレーザー/秦美香子 訳 | |
7 | 純情漫画革命――雑誌としての『九番目の神話』 |
李信暎 | |
8 | 受容者の見出すオルタナティブ性――やおい活動における「芸能・ナマモノ」の役割から |
鈴木翠 | |
9 | 観察者として位置づけられる読者――山本ルンルンのマンガにおけるナラティブ・ |
ストラテジー | |
山口恵 |
※以上の国際会議の論集とは別に併記された展示報告については以下のとおり
10 | 『愛すべき無理難題 マーラー漫画パーク』キュレーションのコンセプト |
應矢泰紀 | |
11 | ニコラス・マーラーの作品がほのめかすオーストリアにおける「日本」 |
クラウディア・シュミット | |
感想文集 『古典絵画の巨匠たち』をめぐって | |